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Free PDF Basic Materials in Music Theory: A Programmed Approach (12th Edition)By Greg A. Steinke, Paul O. Harder

Free PDF Basic Materials in Music Theory: A Programmed Approach (12th Edition)By Greg A. Steinke, Paul O. Harder

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Basic Materials in Music Theory: A Programmed Approach (12th Edition)By Greg A. Steinke, Paul O. Harder

Basic Materials in Music Theory: A Programmed Approach (12th Edition)By Greg A. Steinke, Paul O. Harder


Basic Materials in Music Theory: A Programmed Approach (12th Edition)By Greg A. Steinke, Paul O. Harder


Free PDF Basic Materials in Music Theory: A Programmed Approach (12th Edition)By Greg A. Steinke, Paul O. Harder

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Basic Materials in Music Theory: A Programmed Approach (12th Edition)By Greg A. Steinke, Paul O. Harder

This classic, self-paced, auto-instructional introduction to music fundamentals allows students to work independently through a programmed format, allowing instructors to concentrate on the more creative aspects of their course.  Basic Materials of music: time and sound; notation of pitch; time classification, note and rest values; time signatures; intervals; basic scales; major scales; minor scales; key signatures; triads. For music theory students.

  • Amazon Sales Rank: #62294 in Books
  • Published on: 2009-02-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x 1.10" w x 8.50" l, 2.06 pounds
  • Binding: Paperback
  • 408 pages

From the Publisher This item is a book only. There is an optional CD that is available separately (ISBN 0130993360).

From the Back Cover Hands-on in approach, this “classic”, two-volume book thoroughly covers the concepts and techniques of music fundamentals and is completely self-instructional. From the wealth of clearly laid-out lessons and exercises, readers receive continual feedback and reinforcement as they work through the sequence at their own pace. A Review of Seventh Chords and Dominant Seventh. Nondominant Seventh Chords. Altered Nonharmonic Tones and Secondary Dominants. Modulation to Closely Related Keys. Borrowed Chords. Augmented Sixth Chords. The Neapolitan Sixth, Altered Dominants and Diminished Seventh Chords. Chromatic Third-Relation Harmony. Modulation to Foreign Keys. Ninth, Eleventh and Thirteenth Chords. For anyone wanted to master, quickly and thoroughly, the core of knowledge essential for the serious study of music theory.

About the Author

Dr. Paul O. Harder (1923-1986) received a Master of Music degree in Music Theory from the Eastman School of Music, University of Rochester, where he performed as oboist with the Rochester' Philharmonic Orchestra. Later, as a fellowship student at the University of Iowa, he received his Ph.D.' in Music Composition. He studied composition with Mlle. Nadia Boulanger at the École des Beaux Arts de Fountainbleau, France, and at the Royal Academy of Music in Copenhagen, Denmark.

Dr. Harder held the post of Chairman of Music Theory at Michigan State University before becoming Assistant Vice President and Professor of Music at California State University, Stanislaus. He was a Professor Emeritus at Michigan State University.

In addition to approximately fifty compositions for a variety of media including orchestra, band, chorus, and chamber groups, Dr. Harder was the author of Harmonic Materials in Tonal Music, Parts I and II, through the fifth edition; Basic Materials in Music Theory, through the sixth edition; Music Manuscript Techniques, Parts I and II; and Bridge to Twentieth Century Music, through the first edition.

Dr. Greg A Steinke (b. 1942) holds a Bachelor of Music degree from Oberlin Conservatory, a Master of Music degree from Michigan State University, a Master of Fine Arts degree from the University of Iowa, and a Doctor of Philosophy degree from Michigan State University.

Dr. Steinke retired in June 2001 as Chair of the Art and Music Departments, Associate Dean for Undergraduate Studies, and holder of the Joseph Naumes Endowed Chair in Muise at Marylhurst University in Oregon. Formerly, he was Dean of the College of Fine Arts and Professor of Music at Millikin University, Director of the School of Music and Professor of Music at Ball State University, Assistant Director of the School of Music at the University of Arizona, Chairman of the Music Department at San Diego State University, Director of the School of Music at the University of Idaho, Chairman of the Music Department at Linfield College, and a faculty member at Northern Arizona University, The Evergreen State College, California State University, Northridge, and the University of Maryland. Currently, he is a freelance composer, writer, oboist, and conductor.

Dr. Steinke is the author of numerous articles, has done the revisions to Paul Harder's Basic Materials in Music Theory (seventh through ninth editions), Harmonic Materials in Tonal Music, (sixth through ninth editions) and Bridge to Twentieth Century Music (revised edition). He holds membership in a number of professional organizations and served for nine years (three terms, 1988-97) as the President and National Chairman of the Society of Composers, Inc. Professor Steinke is active as a composer of chamber and symphonic music with a number of published works, as a speaker on interdisciplinary arts, and as an oboe soloist specializing in contemporary music.

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Basic Materials in Music Theory: A Programmed Approach (12th Edition)By Greg A. Steinke, Paul O. Harder PDF

Basic Materials in Music Theory: A Programmed Approach (12th Edition)By Greg A. Steinke, Paul O. Harder PDF

Basic Materials in Music Theory: A Programmed Approach (12th Edition)By Greg A. Steinke, Paul O. Harder PDF
Basic Materials in Music Theory: A Programmed Approach (12th Edition)By Greg A. Steinke, Paul O. Harder PDF
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